<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4223999372981756402</id><updated>2011-11-03T12:29:24.101+02:00</updated><title type='text'>On The MASA</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Vahid</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_s5J8D305tLo/SQ92mQYoJoI/AAAAAAAAA74/IF8XhHW6gfY/S220/melt.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>71</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-5075223670955020801</id><published>2009-11-10T10:27:00.002+02:00</published><updated>2009-11-10T10:32:43.088+02:00</updated><title type='text'>Omer Fast: When Images Lie... About the Fictionality of Documents</title><summary type='text'>Omer Fast, Looking Pretty for God (After G.W.), 2008, video, stillBy Maria MuhleOh my God, they use a history that repeats itself...- Anonymous It is remarkable that in one way or another, more or less directly, the videos of Omer Fast all seem to deal with key historico-political topics: from the Shoah in Spielberg's List (2003) to the Israeli-Palestinian conflict in Take a Deep Breath (2008) </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/5075223670955020801/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=5075223670955020801' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5075223670955020801'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5075223670955020801'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/11/omer-fast-when-images-lie-about.html' title='Omer Fast: When Images Lie... About the Fictionality of Documents'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SvkkOiJ1-uI/AAAAAAAAA78/nouZl8fNLIU/s72-c/lpfg_img_1078-538x358.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3601136966171905010</id><published>2009-11-05T14:17:00.006+02:00</published><updated>2009-11-05T14:21:52.387+02:00</updated><title type='text'>In Defense of the Poor Image</title><summary type='text'>▴ Shoveling pirated DVDs in Taiyuan, Shanxi province, China, April 20, 2008. From here.By Hito SteyerlThe poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3601136966171905010/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3601136966171905010' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3601136966171905010'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3601136966171905010'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/11/in-defense-of-poor-image.html' title='In Defense of the Poor Image'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SvLCjOdKPUI/AAAAAAAAA7c/0Eavitlz3Wc/s72-c/pile.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4129070360327167100</id><published>2009-11-02T11:15:00.002+02:00</published><updated>2009-11-02T11:19:28.056+02:00</updated><title type='text'>Pornomiseria: Or How Not to Make a Documentary Film</title><summary type='text'>Carlos Mayolo and Luis Ospina, Agarrando pueblo, 1977, 28min, film stillsBy Michèle FaguetIn the summer of 1971, while on vacation from film school at UCLA, Luis Ospina met with his childhood friend Carlos Mayolo, and together they decided to film the sixth Pan American Games taking place in their hometown of Cali, Colombia. The idea came after an earlier attempt to record Pope Paul VI's visit to</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4129070360327167100/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4129070360327167100' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4129070360327167100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4129070360327167100'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/11/pornomiseria-or-how-not-to-make.html' title='Pornomiseria: Or How Not to Make a Documentary Film'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/Su6japS1FHI/AAAAAAAAA7U/sEzIqvOS1NA/s72-c/agarrandopueblo_lalondoo-538x417.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2587611892761939075</id><published>2009-10-05T12:48:00.000+03:00</published><updated>2009-10-05T12:51:44.007+03:00</updated><title type='text'>R.I.P Mardo Ohanoğlu</title><summary type='text'>Sevgili Mardo'cum, kendine iyi bak. Seni hep hatırlayacağız.</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2587611892761939075/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2587611892761939075' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2587611892761939075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2587611892761939075'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/10/rip-mardo-ohanoglu.html' title='R.I.P Mardo Ohanoğlu'/><author><name>Vahid</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_s5J8D305tLo/SQ92mQYoJoI/AAAAAAAAA74/IF8XhHW6gfY/S220/melt.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_s5J8D305tLo/SsnBYBbhRnI/AAAAAAAABEk/z9YVP7S8_9U/s72-c/Mardo-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8604683465181159576</id><published>2009-10-01T14:02:00.002+03:00</published><updated>2009-10-01T14:12:40.889+03:00</updated><title type='text'>Positively Trojan Horses Revisited</title><summary type='text'>By Simon SheikhLucy Lippard’s famous essay on activist art should need no introduction or art historical contextualization; what’s more, “Trojan Horses: Activist Art and Power,” published in the seminal 1984 anthology Art After Modernism, represents but one entry point into a truly impressive body of work dedicated to the politics of art and representation from the 1960s up to today.1 As such, </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8604683465181159576/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8604683465181159576' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8604683465181159576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8604683465181159576'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/10/positively-trojan-horses-revisited.html' title='Positively Trojan Horses Revisited'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SsSOUAzrZ-I/AAAAAAAAA48/ldTmdXClEVo/s72-c/Trojan+Horse.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7454295925975712207</id><published>2009-09-23T12:58:00.004+03:00</published><updated>2009-09-23T13:06:01.659+03:00</updated><title type='text'>decolonizing.ps @ Feriköy Greek School</title><summary type='text'>The project engages a less than ideal world. It does not articulate a utopia of ultimate satisfaction. Its starting point is not a resolution of the conflict and the just fulfilment of all Palestinian claims; also, the project is not, and should not be thought of, in terms of a solution. Rather it is mobilizing architecture as a tactical tool within the unfolding struggle for Palestine. It seeks </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7454295925975712207/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7454295925975712207' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7454295925975712207'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7454295925975712207'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/09/decolonizingps-ferikoy-rum-okulu.html' title='decolonizing.ps @ Feriköy Greek School'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SrnyK6uUV7I/AAAAAAAAA40/PUt8EWqXj_M/s72-c/00unroofingmodel.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4297313006788653366</id><published>2009-09-02T10:28:00.003+03:00</published><updated>2009-09-02T10:29:47.997+03:00</updated><title type='text'>Istanbul Biennial Panel Discussion</title><summary type='text'>Who Needs A World View?  September 12, 4-6 pm . “The idea that someone in chains, muzzled in a hole in the ground in the company of worms, might in no way be prevented from thinking whatever he likes, may well console those who see being in chains as an unalterable destiny. In reality, people muzzled by the economy can only think freely if they can free themselves in thought, that is, from the </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4297313006788653366/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4297313006788653366' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4297313006788653366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4297313006788653366'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/09/istanbul-biennial-panel-discussion.html' title='Istanbul Biennial Panel Discussion'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3614987151977833766</id><published>2009-08-28T12:09:00.003+03:00</published><updated>2009-08-28T12:13:13.353+03:00</updated><title type='text'>Whatever happened to theory?</title><summary type='text'>Theorist Sylvère Lotringer talks to Nina Power about art and the market, the failings of capitalism and how radical thinking can help us survive 'the system'Sylvère Lotringer: I was happily surprised that we can still talk about the avant-garde in art. We are now inhabiting another time-space. Everything is happening too fast and in too many places at the same time for any group or movement to </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3614987151977833766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3614987151977833766' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3614987151977833766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3614987151977833766'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/08/whatever-happened-to-theory.html' title='Whatever happened to theory?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SpefNtWlk8I/AAAAAAAAA3U/4zSNpQiM6Fg/s72-c/mag125.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8725718854441605534</id><published>2009-08-24T16:28:00.010+03:00</published><updated>2009-08-24T16:56:56.761+03:00</updated><title type='text'>MASA için önerilen gerçekleşmemiş veya iptal edilmiş projeler</title><summary type='text'>MERAKLISI İÇİN MASA’YA GELEN CİDDİ, “GEYİK OLSUN DİYE”, GERÇEKLEŞMEMİŞ VEYA İPTAL EDİLMİŞ PROJE ÖNERİLERİLERİNDEN İLK ELDEN AKLA GELEN BİRKAÇI AŞAĞIDADIRBorga Kantürk – Vahit Tuna  “Masa’yı langırt yapma projesi”Caner Aslan’nın açılışından bir gün önce yapıtından duyduğu memnuniyetsizlik üzerine iptal ettiği "Henüz Gerçekleşmemiş Bütün Şeyler" adlı projesi.“Masa’da dansöz oynatma” projesi“Masa’yı</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8725718854441605534/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8725718854441605534' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8725718854441605534'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8725718854441605534'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/08/masa-icin-onerilen-gerceklesmemis-veya.html' title='MASA için önerilen gerçekleşmemiş veya iptal edilmiş projeler'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4784260689321570196</id><published>2009-08-18T16:12:00.002+03:00</published><updated>2009-08-18T16:26:22.734+03:00</updated><title type='text'>new issue of transversal web journal: knowledge production and its discontents</title><summary type='text'>When knowledge production becomes the raw material of cognitive capitalism, what becomes of the old factories of knowledge, the universities? With the rising importance of knowledge, they move to the eye of the storm, become objects of desire of neoliberal transformations, objects of competition between regions and continents, but also subjects of struggles against these transformations and </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4784260689321570196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4784260689321570196' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4784260689321570196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4784260689321570196'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/08/new-issue-of-transversal-web-journal_4154.html' title='new issue of transversal web journal: knowledge production and its discontents'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-5044574011652853118</id><published>2009-08-15T14:47:00.005+03:00</published><updated>2009-08-15T14:55:56.753+03:00</updated><title type='text'>Experimental Geography</title><summary type='text'>Experimental Geography: Radical Approaches to Landscape, Cartography, and UrbanismNato Thompson and Independent Curators InternationalA photo of a secret CIA prison. A map designed to help visitors reach Malibu’s notoriously inaccessible public beaches. Guidebooks to factories, prisons, and power plants in upstate New York. These are some of the more than one hundred projects represented in </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/5044574011652853118/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=5044574011652853118' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5044574011652853118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5044574011652853118'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/08/experimental-geography.html' title='Experimental Geography'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SoagU2RhZlI/AAAAAAAAA20/dOVxIFcNJRo/s72-c/ExperimentalGeographycoverlowres_2008-11-18-14-11-25.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8188864123403561536</id><published>2009-08-04T12:49:00.001+03:00</published><updated>2009-08-04T12:50:52.069+03:00</updated><title type='text'>Artur Zmijewski: Democracies</title><summary type='text'>By Axel LappThe speakers of the 11 monitors blare into the gallery space, resulting in a cacophony of soundtracks individually discernable as protest, celebration, drunken melee and battle cry only when compared to the different moving images on each of the screens. For Democracies, Artur Zmijewski has filmed 11 short documentaries about public demonstrations of political opinion. They are played</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8188864123403561536/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8188864123403561536' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8188864123403561536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8188864123403561536'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/08/artur-zmijewski-democracies.html' title='Artur Zmijewski: Democracies'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SngETchpHzI/AAAAAAAAA2c/maKq--pxR-o/s72-c/action.php' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-5127791835343199608</id><published>2009-07-24T12:29:00.004+03:00</published><updated>2009-07-24T15:42:53.708+03:00</updated><title type='text'>MARX AND MONTAGE</title><summary type='text'>By FREDRIC JAMESONIt is always good to have a new Kluge, provided you know what lies in store for you. His latest film, News from Ideological Antiquity—some nine hours long—is divided into three parts: I. Marx and Eisenstein in the Same House; II. All Things are Bewitched People; III. Paradoxes of Exchange Society. [1] Rumour has it that Kluge has here filmed Eisenstein’s 1927–28 project for a </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/5127791835343199608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=5127791835343199608' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5127791835343199608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/5127791835343199608'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/07/marx-and-montage.html' title='MARX AND MONTAGE'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SmmCFia7cII/AAAAAAAAA2U/ZZrzMRc5IHc/s72-c/13501.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7378535593211056393</id><published>2009-07-17T17:14:00.006+03:00</published><updated>2009-07-17T17:18:21.566+03:00</updated><title type='text'>This is Not a Panel Discussion</title><summary type='text'>Pablo Helguera, The Juvenal Players, Grand Arts, 2009This is Not a Panel Discussion: Pablo Helguera's Pedagogical FolliesLyra Kilston11th July 2009I recently witnessed the following exchange at a panel discussion on the life and work of the artist Juvenal Merst. The dialogue was between two curators: Sonja Stillman, a discreetly dressed, intellectual woman in her late 40s, and the panel's </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7378535593211056393/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7378535593211056393' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7378535593211056393'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7378535593211056393'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/07/this-is-not-panel-discussion.html' title='This is Not a Panel Discussion'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SmCHaUGqalI/AAAAAAAAA18/9ZczTHTBAF4/s72-c/GA_Pablo_0637.jpg.jpeg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-9078723436463405435</id><published>2009-07-14T11:59:00.002+03:00</published><updated>2009-07-14T12:04:18.956+03:00</updated><title type='text'>Legacy of Fragility</title><summary type='text'>Legacy of Fragility Banu Cennetoglu interviewed by Michael c. VazquezMV: So what is your project for the Turkish pavilion at Venice?BC: It’s called Catalog, and it’s a simulation of a mail order catalog. I wanted to create a big, thick, performative book. The idea was to challenge the idea of the artist’s book and the idea of the catalog at the same time. It is an artist’s book—six copies will be</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/9078723436463405435/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=9078723436463405435' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9078723436463405435'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9078723436463405435'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/07/legacy-of-fragility.html' title='Legacy of Fragility'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SlxJtt_OEcI/AAAAAAAAA10/0WoTwMsmq-4/s72-c/03_banu_cennetoglu.jpeg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8281327701008800496</id><published>2009-06-19T17:32:00.007+03:00</published><updated>2009-07-13T17:07:38.975+03:00</updated><title type='text'>Is a Museum a Factory?</title><summary type='text'>Harun Farocki, Workers Leaving the Factory in Eleven Decades, 2006, video still. By Hito SteyerlThe film La hora de los hornos (The Hour of the Furnaces, 1968), a Third Cinema manifesto against neocolonialism, has a brilliant installation specification. A banner was to be hung at every screening with text reading: “Every spectator is either a coward or a traitor.” It was intended to break down </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8281327701008800496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8281327701008800496' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8281327701008800496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8281327701008800496'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/06/is-museum-factory.html' title='Is a Museum a Factory?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/Sjuhi0xMPNI/AAAAAAAAA0U/2Z3x9RVdJAg/s72-c/farocki1_1000.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4171045960388925308</id><published>2009-06-18T10:51:00.003+03:00</published><updated>2009-06-18T11:00:02.232+03:00</updated><title type='text'>In the wake of object fever, art criticism will turn to the poltitics of things</title><summary type='text'>Saâdane Afif, "Untitled (This the Way You &amp; I Measure the World, 2004)“, 2008By Ina BlomOne of the more inspiring catalogue contributions of late in my view is an essay that seemingly does not deal with art at all but with a renewed conception of politics. The text in question, written by Bruno Latour for the exhibition project “Making Things Public: Atmospheres of Democracy”, proposed that the </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4171045960388925308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4171045960388925308' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4171045960388925308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4171045960388925308'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/06/in-wake-of-object-fever-art-criticism.html' title='In the wake of object fever, art criticism will turn to the poltitics of things'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SjnznSe271I/AAAAAAAAAzw/eU2RnvUWboQ/s72-c/Blom.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2425253729657947401</id><published>2009-06-08T11:32:00.005+03:00</published><updated>2009-06-08T12:03:04.481+03:00</updated><title type='text'>Architecture and narrative- L.Gillick, A.Ogut</title><summary type='text'>Today's rather refreshing conference was held between Liam Gillick, British artist presenting German pavilion, and Ahmet Ogut, Kurdish artist presenting Turkish pavilion. The discussion was coordinated by Tim Griffin, the editor of Artforum.The peculiarity of this conference was the decision to confront precisely these two artists. Usually, we have almost immediate association of Gillick with the</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2425253729657947401/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2425253729657947401' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2425253729657947401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2425253729657947401'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/06/architecture-and-narrative-lgillick.html' title='Architecture and narrative- L.Gillick, A.Ogut'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SizTAx5kUoI/AAAAAAAAAzk/epAWMxn2C1s/s72-c/3601041604_43d1d49912_b.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-270319025889696367</id><published>2009-06-02T12:10:00.004+03:00</published><updated>2009-06-02T12:18:47.934+03:00</updated><title type='text'>Can artists create art by doing nothing?</title><summary type='text'>By Andrew GallixFélicien Marboeuf, a fictitious author who never wrote a book, is the inspiration for a new exhibition. Andrew Gallix celebrates artists who have turned doing very little into an art formMore than 20 artists will pay homage to Félicien Marboeuf in an eclectic exhibition opening in Paris next week. Although he's hardly a household name, Marboeuf (1852-1924) inspired both Gustave </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/270319025889696367/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=270319025889696367' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/270319025889696367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/270319025889696367'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/06/can-artists-create-art-by-doing-nothing.html' title='Can artists create art by doing nothing?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SiTtytA_EZI/AAAAAAAAAyc/8V75pmnVElU/s72-c/MarcelDuchampMudra.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2171520242160619723</id><published>2009-06-01T11:37:00.004+03:00</published><updated>2009-06-01T13:14:37.446+03:00</updated><title type='text'>Claire Bishop on Tania Bruguera at the 10th Havana Biennial</title><summary type='text'> Boris     GroysSpeech DisorderBy Claire BishopWHENEVER PEOPLE LAMENT the homogenization of global biennials, a special case should be made for Havana’s. Located in a country suffering the longest economic blockade in modern history, the Havana Biennial has, since its inception in 1984, placed post-colonial theory and Southern-Hemispheric relations at the forefront of its activities while </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2171520242160619723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2171520242160619723' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2171520242160619723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2171520242160619723'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/06/claire-bishop-on-tania-bruguera-at-10th.html' title='Claire Bishop on Tania Bruguera at the 10th Havana Biennial'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SiOp1hNAkpI/AAAAAAAAAyU/VjPXp_7VV6M/s72-c/Boris-Groys.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-258466397022951622</id><published>2009-05-28T14:41:00.003+03:00</published><updated>2009-05-28T14:44:20.520+03:00</updated><title type='text'>Jacques Rancière - Filozof ve Yoksulları</title><summary type='text'>Öyleyse, başlangıçta bilginlerin söyleminde işçi imgeleri üzerine biraz mesafeli bir soruşturmadan ibaret olan şeyin, hangi dolambaçlı yollara saparak felsefe ile retorik, adalet ile sağlık arasındaki eski çatışmaları depreştirdiğine dair bir iki tur daha döneyim. Bunların birini diğeriyle karıştırmakta ve demokrasinin sosyolojik olarak sorgulanması ile demokrasinin ilerlemesine verilen kurumsal </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/258466397022951622/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=258466397022951622' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/258466397022951622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/258466397022951622'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/05/jacques-ranciere-filozof-ve-yoksullar.html' title='Jacques Rancière - Filozof ve Yoksulları'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/Sh54tyU-q2I/AAAAAAAAAyM/2FgpvfV3bfE/s72-c/96256.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2515166199540255961</id><published>2009-05-19T08:42:00.000+03:00</published><updated>2009-05-19T08:55:52.356+03:00</updated><title type='text'>Metropolis by Giorgio Agamben</title><summary type='text'>Many years ago I was having a conversation with Guy (Debord) which I believed to be about political philosophy, until at some point Guy interrupted me and said: ‘Look, I am not a philosopher, I am a strategist’. This statement struck me because I used to see him as a philosopher as I saw myself as one, but I think that what he meant to say was that every thought, however ‘pure’, general or </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2515166199540255961/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2515166199540255961' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2515166199540255961'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2515166199540255961'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/05/metropolis-by-giorgio-agamben.html' title='Metropolis by Giorgio Agamben'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8270824530259926001</id><published>2009-05-14T14:56:00.005+03:00</published><updated>2009-05-14T15:05:08.199+03:00</updated><title type='text'>Tarlabaşı'nda Rantsal Kuşatma</title><summary type='text'>Ulus ATAYURTİstanbul'da süregiden dönüşüm döngülerinde Sarıgöl ya da Sulukule gibi Roman mahallelerine, Ayazma gibi Kürt göçmenlerin ya da Başıbüyük gibi muhafâzkar halkın yaşadığı semtlere yıkım ve yerinden edilmelerde öncelik verilmesinin bir nedeni de olası mukavemetin zayıflığının hesaplanmasında yatıyor...&gt;</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8270824530259926001/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8270824530259926001' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8270824530259926001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8270824530259926001'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/05/tarlabasnda-rantsal-kusatma.html' title='Tarlabaşı&apos;nda Rantsal Kuşatma'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7020686886079914490</id><published>2009-05-11T11:51:00.003+03:00</published><updated>2009-05-11T15:14:29.588+03:00</updated><title type='text'>Celebrity Come Communism</title><summary type='text'>By Matthew Charles ‘On the Idea of Communism’, Birkbeck Institute for the Humanities, London, 13–15 March 2009 This conference’s political conditions had been staked out in advance, on behalf of all the speakers, by Alain Badiou’s essay ‘The Communist Hypothesis’. These were the collapse of the Old Left of the Communist Party and state, and the demise of the social-democratic project. The </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7020686886079914490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7020686886079914490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7020686886079914490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7020686886079914490'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/05/celebrity-come-communism.html' title='Celebrity Come Communism'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-629686730290824694</id><published>2009-04-30T12:21:00.005+03:00</published><updated>2009-04-30T12:27:42.066+03:00</updated><title type='text'>REARTIKULACIJA No.6 is out</title><summary type='text'>LESBIAN BARNatasa Velikonja: A LESBIAN REVISIONDE-COLONIALITYMarina Grzinic: DE-LINKING EPISTEMOLOGY FROM CAPITAL AND PLURI-VERSALITY – A CONVERSATION WITH WALTER MIGNOLO, part 3QUEERTatjana Greif: EVROGREHI IN NOVA INKVIZICIJA / EURO-SINS AND THE NEW INQUISITIONRADICAL CRITICAL PRACTICESebastjan Leban: REVOLUTIONARY CRITICAL PEDAGOGY: THE STRUGGLE AGAINST TNE NEOLIBERAL OPPRESSION – A </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/629686730290824694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=629686730290824694' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/629686730290824694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/629686730290824694'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/04/reartikulacija-no6-is-out.html' title='REARTIKULACIJA No.6 is out'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SfluGjna44I/AAAAAAAAAw0/Y0rLIm722Pc/s72-c/noname.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-6639383206711600576</id><published>2009-04-02T12:12:00.003+03:00</published><updated>2009-04-02T12:20:18.674+03:00</updated><title type='text'>MORAL HAZARD: THE ART OF ARTUR ZMIJEWSKI</title><summary type='text'>SEBASTIAN CICHOCKI: For some ten years, you have interviewed artists making “critical” work. How do you think we should understand their various practices? ARTUR ZMIJEWSKI: Society often takes the artist for a shaman, demiurge, or painted bird—a bit of a madman, someone consumed by an incurable ailment. Obviously, this is just a fabricated phantasm that protects society from real encounters with </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/6639383206711600576/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=6639383206711600576' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6639383206711600576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6639383206711600576'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/04/moral-hazard-art-of-artur-zmijewski.html' title='MORAL HAZARD: THE ART OF ARTUR ZMIJEWSKI'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SdSCVFybafI/AAAAAAAAAwc/uMl0E13C0cQ/s72-c/Zeppelintribune_002.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2704115229393721466</id><published>2009-03-31T13:29:00.002+03:00</published><updated>2009-03-31T14:45:04.236+03:00</updated><title type='text'>Cognitive Mapping and Capitalism in The Wire</title><summary type='text'>Baltimore as world and representation: Cognitive mapping and capitalism in the wireby Jeff Kinkle and Alberto ToscanoIf the Gods are fucking you, you find a way to fuck them back.- Commissioner BurrellAcademics? What, they gonna study your study?- Howard ‘Bunny’ Colvin to Dr. David Parenti, U. of Maryland sociologist studying young violent offenders in BaltimoreThey gonna tear this building down </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2704115229393721466/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2704115229393721466' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2704115229393721466'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2704115229393721466'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/03/cognitive-mapping-and-capitalism-in.html' title='Cognitive Mapping and Capitalism in The Wire'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SdIB-fyqGGI/AAAAAAAAAwU/pVEsQqfahOo/s72-c/omar-754289.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3492866760463012812</id><published>2009-03-16T15:12:00.009+02:00</published><updated>2009-03-19T12:13:33.304+02:00</updated><title type='text'>Is This Really the End of Neoliberalism?</title><summary type='text'>Aernout Mik, Middleman, 2001By David HarveyDoes this crisis signal the end of neo-liberalism? My answer is that it depends what you mean by neo-liberalism. My interpretation is that it’s a class project, masked by a lot of neo-liberal rhetoric about individual freedom, liberty, personal responsibility, privatisation and the free market. These were means, however, towards the restoration and </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3492866760463012812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3492866760463012812' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3492866760463012812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3492866760463012812'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/03/is-this-really-end-of-neoliberalism.html' title='Is This Really the End of Neoliberalism?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/Sb5Qf0g8TaI/AAAAAAAAAv0/eNKNkZcWZH0/s72-c/Aernout_Mik_2001_Middlemen_10_1000.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-9132810644358511692</id><published>2009-03-13T13:28:00.003+02:00</published><updated>2009-03-13T13:34:40.108+02:00</updated><title type='text'>Feminism, Capitalism, and the Cunning of History</title><summary type='text'>Feminism, Capitalism, and the Cunning of HistoryBy Nancy FraserI would like to use the occasion of this essay to take a broad, sweeping look at second-wave feminism (SWF). Not at this or that current of feminist activism, nor at this or that strand of feminist theorizing. Not at this or that geographical slice of the movement, nor at this or that sociological stratum of women. I want, rather, to </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/9132810644358511692/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=9132810644358511692' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9132810644358511692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9132810644358511692'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/03/feminism-capitalism-and-cunning-of.html' title='Feminism, Capitalism, and the Cunning of History'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2728476405531535216</id><published>2009-03-13T12:30:00.005+02:00</published><updated>2009-03-13T12:49:48.404+02:00</updated><title type='text'>Elasticity of demand</title><summary type='text'>Elasticity of demandReflections on The WireBy John KraniauskasCan’t reason with the pushermanFinance is all that he understandsCurtis Mayfield, “Little Child Runnin’ Wild”David Simon and Edward Burns’s TV series The Wire  (HBO, 2002–08) opens with a killing and builds from there, over five seasons and sixty hours of television. What it narrates is the present life of a neoliberalized </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2728476405531535216/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2728476405531535216' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2728476405531535216'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2728476405531535216'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/03/elasticity-of-demand.html' title='Elasticity of demand'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/Sbo15DzyZfI/AAAAAAAAAvs/UXTBH_aP5S8/s72-c/The+Wire+pic+4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3667820880141257794</id><published>2009-03-04T17:54:00.003+02:00</published><updated>2009-03-04T18:00:20.357+02:00</updated><title type='text'>Radical Philosophy March/April 2009 is out</title><summary type='text'>The War against Pre-Terrorism: The Tarnac 9 and The Coming InsurrectionAlberto ToscanoSpectres of Anarchy: Walter Benjamin and the Red Army Faction, Part ThreeIrving WohlfarthElasticity of Demand: Reflections on The WireJohn KraniauskasAxel Honneth, Disrespect: The Normative Foundations of Critical Theory; and Axel Honneth, Reification: A New Look at an Old Idea, with Judith Butler, Raymond Geuss</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3667820880141257794/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3667820880141257794' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3667820880141257794'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3667820880141257794'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/03/radical-philosophy-marchapril-2009-is_04.html' title='Radical Philosophy March/April 2009 is out'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/Sa6kcRZWVaI/AAAAAAAAAu0/qJAQk1GRsmw/s72-c/cover154.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-6502172711179957358</id><published>2009-02-24T14:48:00.010+02:00</published><updated>2009-02-24T15:20:28.275+02:00</updated><title type='text'>"Slumdog Millionaire": A Hollow Message of Social Justice</title><summary type='text'>By Mitu SenguptaDespite all the hype, "Slumdog" delivers a patronizing and ultimately sham statement on social justice.Danny Boyle's "Slumdog Millionaire", perhaps one of the most celebrated films in recent times, tells the rags-to-rajah story of a love-struck Indian boy, Jamal, who, with a little help from "destiny," triumphs over his wretched beginnings in Mumbai's squalid slums. Riding on a </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/6502172711179957358/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=6502172711179957358' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6502172711179957358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6502172711179957358'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/slumdog-millionaire-hollow-message-of.html' title='&quot;Slumdog Millionaire&quot;: A Hollow Message of Social Justice'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SaPtm5_hBqI/AAAAAAAAAuk/hNxmRqwyKD4/s72-c/slumdog_millionaire_jamal_malik.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-477632724398875708</id><published>2009-02-18T13:57:00.007+02:00</published><updated>2009-02-18T14:33:50.601+02:00</updated><title type='text'>On precarious work</title><summary type='text'>From WikipediaPrecarious work is a term used to describe non-standard employment, which is poorly paid, insecure, unprotected, and cannot support a household. In recent decades there has been a dramatic increase in precarious work due to such factors as: globalization, the shift from the manufacturing sector to the service sector, and the spread of information technology. These changes have </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/477632724398875708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=477632724398875708' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/477632724398875708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/477632724398875708'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/on-precarious-work.html' title='On precarious work'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4584742993848482978</id><published>2009-02-17T16:30:00.002+02:00</published><updated>2009-02-17T16:33:30.662+02:00</updated><title type='text'>The Yes Men Fix the World</title><summary type='text'>"THE YES MEN FIX THE WORLD" WINS PANORAMA AUDIENCE AWARD AT BERLIN INTERNATIONAL FILM FESTIVAL LONDON/BERLIN. Having received standing ovations at its World Premiere at the Sundance Film Festival last week, the hilariously shocking The Yes Men Fix the World opened this year’s Berlin Film Festival’s Panorama Dokumente section to equally responsive crowds, culminating in its win of the Panorama </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4584742993848482978/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4584742993848482978' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4584742993848482978'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4584742993848482978'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/yes-men-fix-world.html' title='The Yes Men Fix the World'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7419126717479660557</id><published>2009-02-16T15:55:00.004+02:00</published><updated>2009-02-16T16:01:28.520+02:00</updated><title type='text'>Michel De Certeau</title><summary type='text'>Michel De Certeau - Gündelik Hayatın Keşfi-I / Eylem, Uygulama, Üretim SanatlarıRönesans'tan bu yana, Tanrı dünyadan elini eteğini çekti ve yazı, onun özünün gizli anlamını yorumlayan mütercimlik rolünden sıyrıldı. Böylece, yazı, her tür erkin kaynağı, büyük üretici durumuna geldi. Michel de Certeau tarihin bu yeni betisini ifade etmek için sürekli ve yeniden okumaktan ve yorumlamaktan hiç </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7419126717479660557/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7419126717479660557' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7419126717479660557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7419126717479660557'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/michel-de-certeau.html' title='Michel De Certeau'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SZlwjGYIAVI/AAAAAAAAAuE/AFf3C8GXFIw/s72-c/1430081234009403.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4472924354309906383</id><published>2009-02-13T13:54:00.005+02:00</published><updated>2009-02-13T13:59:11.626+02:00</updated><title type='text'>Fatma Çiftçi @ SPIKE ISLAND</title><summary type='text'>PROJECT SPACE FATMA ÇIFTÇI – SHOW ROOM Fatma Çiftçi (1981) returns to Spike Island after completing a three month residency in summer 2008 funded by Visiting Arts. This residency is an on-going collaboration with Platform Garanti CAC, Istanbul and has previously been awarded to Can Altay (2007). This will be her first solo show in the UK.In Show Room, Çiftçi has created a series of works that </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4472924354309906383/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4472924354309906383' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4472924354309906383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4472924354309906383'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/fatma-ciftci-spike-island.html' title='Fatma Çiftçi @ SPIKE ISLAND'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SZVgDPWSbWI/AAAAAAAAAt0/gWbFuhnporU/s72-c/262.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2178202313373139175</id><published>2009-02-06T15:37:00.002+02:00</published><updated>2009-02-06T15:38:17.264+02:00</updated><title type='text'>We won’t pay for the crisis.</title><summary type='text'>We won’t pay for the crisis. The rich must pay!Declaration of the Assembly of Social Movements at the World Social Forum 2009, Belem, Brazil.We the social movements from all over the world came together on the occasion of the 8th World Social Forum in Belém, Amazonia, where the peoples have been resisting attempts to usurp Nature, their lands and their cultures. We are here in Latin America, </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2178202313373139175/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2178202313373139175' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2178202313373139175'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2178202313373139175'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/02/we-wont-pay-for-crisis.html' title='We won’t pay for the crisis.'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SYw9JX5t9jI/AAAAAAAAAtc/CBkOjv7Kdmk/s72-c/3243650622_eccd6675ce_b.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7853340601387656324</id><published>2009-01-30T13:24:00.002+02:00</published><updated>2009-01-30T13:28:10.428+02:00</updated><title type='text'>Sulukule Çocuk Atölyesi Yıkıldı</title><summary type='text'>Fatih Belediyesi'nin kentsel yenilenme projesi kapsamında yıktığı Sulukule Çocuk Atölyesi, yıkıntılar arasında etkinliklerine devam etmeye çalışıyor.Çocuklar dün yıkılan atölyede bugün ritm dersi görecekler.Sulukule'de atölyeyi yıkmak için ilk kez iki hafta önce gelen Fatih Belediye ekipleri mahallelinin çabaları sonucu ikna olup mahallede en son merkezi yıkma söz verimiş ve geri </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7853340601387656324/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7853340601387656324' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7853340601387656324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7853340601387656324'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/sulukule-cocuk-atolyesi-ykld.html' title='Sulukule Çocuk Atölyesi Yıkıldı'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SYLjzgAQceI/AAAAAAAAAs8/E6w8MbFehTo/s72-c/250-154.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3075408233229754985</id><published>2009-01-27T16:53:00.003+02:00</published><updated>2009-01-27T16:56:03.436+02:00</updated><title type='text'>revolution on Iceland</title><summary type='text'>Icelandic PM becomes world's first leader to step down over banking system crisisThe global economic crisis claimed its first leader yesteday, as Iceland's prime minister announced the immediate resignation of his government following the collapse of the country's currency and banking system.Geir Haarde said as recently as Friday that his coalition would remain in office until early elections, </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3075408233229754985/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3075408233229754985' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3075408233229754985'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3075408233229754985'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/revolution-on-iceland.html' title='revolution on Iceland'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SX8f7tOHrHI/AAAAAAAAAs0/_09CxoiITcU/s72-c/iceland.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2861508586862285445</id><published>2009-01-27T16:30:00.004+02:00</published><updated>2009-01-27T16:38:59.727+02:00</updated><title type='text'>List of riots</title><summary type='text'>Wikipedia'dan 17. yy'dan bugüne isyanların listesi burada.Türkiye 6 - 7 Eylül olayları ile yer alıyor yalnızca.</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2861508586862285445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2861508586862285445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2861508586862285445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2861508586862285445'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/list-of-riots.html' title='List of riots'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7252625369762166017</id><published>2009-01-27T15:33:00.002+02:00</published><updated>2009-01-27T16:26:30.833+02:00</updated><title type='text'>A World Where Many Worlds Fit</title><summary type='text'>Move From Your Couch! Interview on "A World Where Many Worlds Fit"How did you select the works for the exhibition you curated for the Taipei Biennial 2008? What is the standard of your choice?Oliver Ressler: All the artists I invited focus in their exhibited works on the so-called counter-globalization movement. They don't do their work from a perspective, which might be regarded as neutral, but </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7252625369762166017/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7252625369762166017' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7252625369762166017'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7252625369762166017'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/world-where-many-worlds-fit.html' title='A World Where Many Worlds Fit'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SX8YtXGSoVI/AAAAAAAAAss/yE28ykNHOGc/s72-c/13_oliver_ressler.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-566406738364851617</id><published>2009-01-26T12:35:00.004+02:00</published><updated>2009-01-26T12:38:51.491+02:00</updated><title type='text'>Sulukuleli Çocuklar Yıkımı Durdurdu!</title><summary type='text'>23 Ocak Cuma günü, Fatih Belediyesi'nden gelen yıkım ekipleri, aylardır Çocuk Merkezi işlevini gören binayı yıkmak üzere bölgeye vardıklarında karşılarında çocukları buldular. Yaşları 4 ile 12 arasında değişen yaklaşık onbeş çocuk, dozerlere rağmen  binanın üst katına çıkıp pencerelerden yıkımlara ve belediyeye karşı hep bir ağızdan sloganlar attılar, şarkılar söylediler ve darbukalarını </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/566406738364851617/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=566406738364851617' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/566406738364851617'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/566406738364851617'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/sulukuleli-ocuklar-ykm-durdurdu.html' title='Sulukuleli Çocuklar Yıkımı Durdurdu!'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SX2ScMRXklI/AAAAAAAAAsE/eWELLztgnVw/s72-c/DSC00514.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7655368698270086936</id><published>2009-01-23T15:54:00.004+02:00</published><updated>2009-01-23T15:58:20.321+02:00</updated><title type='text'>Superflex - Flooded McDonald’s</title><summary type='text'>by Chris Fite-WassilakIn August 1999, a group led by sheep farmer and agricultural activist José Bové dismantled a soon-to-be-opened McDonald’s in the southern French town of Millau, depositing the site’s construction materials in front of the town hall.  In May 2000, May Day demonstrators in London smashed in the windows of the McDonald’s on the Strand.  No single group claimed responsibility </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7655368698270086936/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7655368698270086936' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7655368698270086936'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7655368698270086936'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/superflex-flooded-mcdonalds.html' title='Superflex - Flooded McDonald’s'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-816808156334772653</id><published>2009-01-22T15:16:00.000+02:00</published><updated>2009-01-22T15:17:20.314+02:00</updated><title type='text'>26 ocak buluşması</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/816808156334772653/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=816808156334772653' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/816808156334772653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/816808156334772653'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/26-ocak-bulumas.html' title='26 ocak buluşması'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SXhxqfD8RyI/AAAAAAAAArk/CveDsNVQ13Q/s72-c/26+ocak.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-9146307349727647982</id><published>2009-01-19T11:47:00.002+02:00</published><updated>2009-01-19T11:49:42.096+02:00</updated><title type='text'>"iyi ermeniyimdir, iyi de solcuyumdur"</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/9146307349727647982/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=9146307349727647982' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9146307349727647982'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9146307349727647982'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/iyi-ermeni-iyi-solcu.html' title='&quot;iyi ermeniyimdir, iyi de solcuyumdur&quot;'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SXRMZwKQdSI/AAAAAAAAArc/d2dnhU3JpMM/s72-c/download.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-6902990325124624570</id><published>2009-01-14T16:59:00.001+02:00</published><updated>2009-01-14T17:00:23.179+02:00</updated><title type='text'>Of sowing and harvests: Subcomandante Marcos' speech on Gaza</title><summary type='text'>Two days ago, the same day we discussed violence, the ineffable Condoleezza Rice, a US official, declared that what was happening in Gaza was the Palestinians' fault, due to their violent nature.The underground rivers that crisscross the world can change their geography, but they sing the same song.And the one we hear now is one of war and pain.Not far from here, in a place called Gaza, in </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/6902990325124624570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=6902990325124624570' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6902990325124624570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6902990325124624570'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/of-sowing-and-harvests-subcomandante.html' title='Of sowing and harvests: Subcomandante Marcos&apos; speech on Gaza'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7699629062764149342</id><published>2009-01-12T12:39:00.007+02:00</published><updated>2009-01-12T17:23:41.011+02:00</updated><title type='text'>Alex Foti - autonomy, anarchy, and political islam in europe</title><summary type='text'>Yesterday, jan 10, was a day when radical and muslim europe came together in a big number of cities of the EU to demand the end of the massacre and denounce Bush and Barak as murderers. Today a huge demo is scheduled in Brussels. Many, even on the extreme left, are uncomfortable with the religious undertones of many demos and the fact they end up in collective prayers. Also, the equation of the </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7699629062764149342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7699629062764149342' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7699629062764149342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7699629062764149342'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/alex-foti-autonomy-anarchy-and.html' title='Alex Foti - autonomy, anarchy, and political islam in europe'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SWsh1EdwdBI/AAAAAAAAArQ/gAzoIqIuN58/s72-c/protest_682x400_697913a.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-1351219794215826286</id><published>2009-01-08T18:16:00.004+02:00</published><updated>2009-01-08T18:22:21.729+02:00</updated><title type='text'>The new ecology of war</title><summary type='text'>Palestinians runs for cover as a missile fired by the Israeli military is seen nearly hitting its target during an Israeli air strike on Hamas' Executive Force building in the Nusseirat refugee camp in the centre of the Gaza strip, 25 May 2007.An interview with Mike Davis"Global epidemics and global terrorism are two problems that principally emanated from the slums. When one talks about 'failed </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/1351219794215826286/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=1351219794215826286' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/1351219794215826286'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/1351219794215826286'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/new-ecology-of-war.html' title='The new ecology of war'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SWYnFsrvZyI/AAAAAAAAArI/BJYL83eo9L0/s72-c/2692653950_9b8b85a695_o.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8238012252100387926</id><published>2009-01-07T15:41:00.006+02:00</published><updated>2009-01-07T16:42:58.031+02:00</updated><title type='text'>FREE THE SHMINISTIM – ISRAEL'S YOUNG CONSCIENTIOUS OBJECTORS.</title><summary type='text'>The Shministim are Israeli high school students who have been imprisoned for refusing to serve in an army that occupies the Palestinian Territories. December 18 marks the launch date of a global campaign to release them from jail. Join over 20,000 people including American conscientious objectors,Ronnie Gilbert, Adrienne Rich, Robert Meeropol, Adam Hochschild, Rabbi Lynn Gottleib, Howard Zinn, </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8238012252100387926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8238012252100387926' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8238012252100387926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8238012252100387926'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/free-shministim-israels-young.html' title='FREE THE SHMINISTIM – ISRAEL&apos;S YOUNG CONSCIENTIOUS OBJECTORS.'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SWS_a2D8GfI/AAAAAAAAAqw/GnVUmD3htnU/s72-c/jvpwebbannershministimcsjpg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7671250917778368192</id><published>2009-01-07T15:07:00.002+02:00</published><updated>2009-01-07T15:10:15.842+02:00</updated><title type='text'>Mike Davis - On the Greek revolt.</title><summary type='text'>RESPONSES TO AN INTERVIEWER FROM A GREEK DAILY PAPER OF THE LEFT1.I think our societies are supersaturated with unrecognized anger that can suddenly crystallize around a single incident of police abuse or state repression. Although the seeds of revolt have been flagrantly sown, bourgeois society seldom recognizes its own harvest.In Los Angeles in 1992, for example, every teenager on the streets (</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7671250917778368192/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7671250917778368192' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7671250917778368192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7671250917778368192'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/mike-davis-on-greek-revolt.html' title='Mike Davis - On the Greek revolt.'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-905776547617713888</id><published>2009-01-05T14:54:00.002+02:00</published><updated>2009-01-05T18:19:05.704+02:00</updated><title type='text'>Nací en Palestina / Born in Palestine</title><summary type='text'>by Amel MathlouthiI have no placeI have no countryI have no homeland With my finger I make fireand with my heart I sing for youmy heartstrings weep I was born in PalestineI was born in Palestine I have no placeI have no countryI have no homelandhttp://www.myspace.com/amelmathlouthi</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/905776547617713888/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=905776547617713888' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/905776547617713888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/905776547617713888'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/nac-en-palestina-born-in-palestine.html' title='Nací en Palestina / Born in Palestine'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-942886660161773593</id><published>2009-01-05T13:05:00.002+02:00</published><updated>2009-01-05T13:11:52.030+02:00</updated><title type='text'>The Gaza Ghetto Uprising</title><summary type='text'>Nazi troops round up Polish Jews during the Warsaw Ghetto Uprising in May 1943.Joseph MassadOne is often baffled by the ironies of international relations and the alliances they foster. Take for example the Israeli colonial settlement that had declared war on the Palestinian people and several Arab countries since its inception while at the same time it built alliances with many Arab regimes and </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/942886660161773593/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=942886660161773593' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/942886660161773593'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/942886660161773593'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/gaza-ghetto-uprising.html' title='The Gaza Ghetto Uprising'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SWHqk4FyUKI/AAAAAAAAAqo/7qwCigZQs0I/s72-c/090104-massad-warsaw.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4325087971016281092</id><published>2009-01-02T13:56:00.010+02:00</published><updated>2009-01-02T14:26:41.126+02:00</updated><title type='text'>2008; Gwangju, Singapore Biennale and 3rd Yokohama Triennale</title><summary type='text'>JENNIFER ALLORA &amp; GUILLERMO CALZADILLA, Sediments, Sentiments (Figures of Speech)Philip TinariThis past fall, with the consecutive openings of six “Asian biennials,” the deliquescent 1990s and early-2000s trend toward establishing new large-scale exhibitions in increasingly far-flung locales bore fruit, such as it is. And as might have been anticipated, these shows were also attended by the </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4325087971016281092/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4325087971016281092' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4325087971016281092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4325087971016281092'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2009/01/2008-gwangju-singapore-biennale-and-3rd.html' title='2008; Gwangju, Singapore Biennale and 3rd Yokohama Triennale'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SV4DRHW-f6I/AAAAAAAAAqY/tGLIVYaghnI/s72-c/b_OnTheRoad02.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7414652415821448589</id><published>2008-12-31T11:21:00.006+02:00</published><updated>2008-12-31T11:46:03.379+02:00</updated><title type='text'>Merry Crisis And Happy New Fear</title><summary type='text'>Shenoraavor Nor Dari yev Pari Gaghand, Ser salawe piroz be, Godt Nytår, Gelukkig nieuwjaar, Aide shoma mobarak, Bonne année, Aith-bhliain Fe Nhaise Dhuit, Gutes Neues Jahr, Chronia Polla!, Hauoli Makahiki Hou, Shanah tovah, Nyob zoo xyoo tshiab, elamat Tahun BaruBuon Capo d'Anno, Akemashite Omedetou Gozaimasu, Godt Nyttår, Maligayang Bagong Taon, Szczesliwego Nowego roku, Feliz ano novo, La Multi</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7414652415821448589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7414652415821448589' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7414652415821448589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7414652415821448589'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/yeni-ylnz-kutlu-olsun.html' title='Merry Crisis And Happy New Fear'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/SVs5obXXDPI/AAAAAAAAAp4/1twd4w9ljUI/s72-c/merrycrisis.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-6744537695650971496</id><published>2008-12-29T13:44:00.002+02:00</published><updated>2008-12-29T13:45:42.185+02:00</updated><title type='text'>Guernica in Gaza</title><summary type='text'>Vittorio ArrigoniMy apartment in Gaza faces the sea, a panoramic view that’s always done wonders for my mood, often challenged by all the misery that a life under siege can bring. That is, before this morning, when all hell broke loose at my window. This morning in Gaza we woke up to the sound of dropping bombs, and many of them have fallen a few hundred metres from my home. Some of my friends </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/6744537695650971496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=6744537695650971496' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6744537695650971496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6744537695650971496'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/guernica-in-gaza.html' title='Guernica in Gaza'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SVi4LMhmCMI/AAAAAAAAApU/5p4_OBU3RFY/s72-c/gazaguernica.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-987222235490431680</id><published>2008-12-29T13:20:00.003+02:00</published><updated>2008-12-29T15:47:06.277+02:00</updated><title type='text'>In Face of the Israeli Attacks on Gaza</title><summary type='text'>We are now spectators of the latest -- and perhaps penultimate -- chapter of the 60 year old conflict between Israel and the Palestinian people.  About the complexities of this tragic conflict billions of words have been pronounced, defending one side or the other. Today, in face of the Israeli attacks on Gaza, the essential calculation, which was always covertly there, behind this conflict, has </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/987222235490431680/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=987222235490431680' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/987222235490431680'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/987222235490431680'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/in-face-of-israeli-attacks-on-gaza.html' title='In Face of the Israeli Attacks on Gaza'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SVi8UOZiOhI/AAAAAAAAApc/WwGWYKjdZLk/s72-c/29mideast01-600.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-2487646490582311109</id><published>2008-12-25T14:37:00.007+02:00</published><updated>2008-12-25T14:58:19.622+02:00</updated><title type='text'>The Neoliberal Frontline: Urban Struggles in Post-Socialist Societies</title><summary type='text'>The Neoliberal Frontline - conference publication, pdfConference “The Neoliberal Frontline: Urban Struggles in Post-Socialist Societies” took place December 4-7, 2008 in Zagreb within a large space reclamation event Operation:City 2008. A host of urban scholars, architects, urbanists and activists from across the Balkans and from around the world discussed issues of neoliberalism, urban </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/2487646490582311109/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=2487646490582311109' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2487646490582311109'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/2487646490582311109'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/neoliberal-frontline-urban-struggles-in.html' title='The Neoliberal Frontline: Urban Struggles in Post-Socialist Societies'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SVN_rR1arhI/AAAAAAAAAo8/tNDWLRrNhBM/s72-c/operacija_novine.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-9181569641821677259</id><published>2008-12-25T14:22:00.008+02:00</published><updated>2008-12-25T14:56:58.511+02:00</updated><title type='text'>Good Social/ Bad Social: the Films of Stephan Dillemuth</title><summary type='text'>The films of Stephan Dillemuth trace the changing habitat of artists from modernist bohemia to the culture industry. Through role-play and reflexivity, the film-maker's attraction-repulsion to romantic, modernist ideals of art and society is given compelling form.By Maija Timonen  &lt;!--   @page { margin: 2cm }   P { margin-bottom: 0.21cm }   P.sdendnote-western { margin-left: 0.5cm; text-indent: -</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/9181569641821677259/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=9181569641821677259' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9181569641821677259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/9181569641821677259'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/good-social-bad-social-films-of-stephan.html' title='Good Social/ Bad Social: the Films of Stephan Dillemuth'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SVN93wX6srI/AAAAAAAAAo0/_OXzxz7ZvoI/s72-c/Lichtmenschen_im_Sumpf_der_Sonne1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8596086957083912401</id><published>2008-12-22T13:57:00.003+02:00</published><updated>2008-12-22T14:03:09.141+02:00</updated><title type='text'>What We See, What We Hope: Declaration of Solidarity with the Uprising in Greece</title><summary type='text'>We want first of all to say a collective yes! to the uprising in Greece.  We are artists, writers and teachers who are connected in this moment by common friends and commitments.  We are globally dispersed and are mostly watching, and hoping, from afar.  But some of us are also there, in Athens, and have been on the streets, have felt the rage and the tear gas, and have glimpsed the dancing </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8596086957083912401/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8596086957083912401' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8596086957083912401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8596086957083912401'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/what-we-see-what-we-hope-declaration-of.html' title='What We See, What We Hope: Declaration of Solidarity with the Uprising in Greece'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SU-BrKIHTxI/AAAAAAAAAos/d0hEgs0dJlE/s72-c/a28_17303877.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-178560204341055834</id><published>2008-12-17T21:35:00.019+02:00</published><updated>2008-12-18T09:43:40.417+02:00</updated><title type='text'>on the financial crisis</title><summary type='text'>Alain Badiou'danOf Which Real is this Crisis the Spectacle?As it is presented to us, the planetary financial crisis resembles one of those bad films concocted by that factory for the production of pre-packaged blockbusters that today we call the "cinema". Nothing is missing, the spectacle of mounting disaster, the feeling of being suspended from enormous puppet-strings, the exoticism of the </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/178560204341055834/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=178560204341055834' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/178560204341055834'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/178560204341055834'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/on-financial-crisis.html' title='on the financial crisis'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/SUlV52FIdCI/AAAAAAAAAn8/OOt8dmGWJw0/s72-c/disaster-728426.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-83588379335802169</id><published>2008-12-17T09:36:00.006+02:00</published><updated>2008-12-17T09:52:39.095+02:00</updated><title type='text'>What makes a biopolitical space?</title><summary type='text'>What makes a biopolitical space? A discussion with Toni NegriToni Negri discusses the significance of urban space for new forms of opposition. The city, he says, is where the “political diagonal” intersects the “biopolitical diagram” – where people’s relation to power is most pronounced. Negri’s interlocutors are involved in exploring “soft” forms of activism, urban projects that create </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/83588379335802169/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=83588379335802169' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/83588379335802169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/83588379335802169'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/what-makes-biopolitical-space.html' title='What makes a biopolitical space?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/SUitXVqUdrI/AAAAAAAAAn0/INACvuL-iy4/s72-c/a07_17349747.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3445374590137138403</id><published>2008-12-15T12:53:00.000+02:00</published><updated>2008-12-15T16:11:41.050+02:00</updated><title type='text'>"Ermeni Kardeşlerimden Özür Diliyorum" Kampanyası</title><summary type='text'>Gazeteci Ali Bayramoğlu, profesörler Baskın Oran ve Ahmet İnsel, Dr. Cengiz Aktar'ın ilk çağrıcıları olduğu kampanyada imzalanması istenen metin.   "1915'te Osmanlı Ermenilerinin maruz kaldığı 'Büyük  Felaket'e duyarsız kalınmasını, bunun inkar edilmesini vicdanım kabul etmiyor.  Bu adaletsizliği reddediyor, kendi payıma Ermeni kardeşlerimin duygu ve  acılarını paylaşıyor, onlardan özür diliyorum</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3445374590137138403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3445374590137138403' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3445374590137138403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3445374590137138403'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/ermeni-kardelerimden-zr-diliyorum.html' title='&quot;Ermeni Kardeşlerimden Özür Diliyorum&quot; Kampanyası'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-7293959525862628294</id><published>2008-12-15T10:00:00.002+02:00</published><updated>2008-12-18T00:49:36.730+02:00</updated><title type='text'>We Don’t Forget, We Don’t Forgive</title><summary type='text'>“We don’t forget, we don’t forgive” – day of internationalaction against state murders,20 – 12 - 2008 Today (Friday), the assembly of the occupied Athens Polytechnic decided to make a callout for European and global-wide actions of resistance in the memory of all assassinated youth, migrants and all those who were struggling against the lackeys of the state. Carlo Juliani; the French suburb </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/7293959525862628294/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=7293959525862628294' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7293959525862628294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/7293959525862628294'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/we-dont-forget-we-dontforgive.html' title='We Don’t Forget, We Don’t Forgive'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Br1ejYnKxyk/SUYPPHFMFPI/AAAAAAAAAnU/Lk6FE58wKLA/s72-c/banner-action-international-en.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-1075799866763034194</id><published>2008-12-09T13:24:00.001+02:00</published><updated>2008-12-09T13:32:21.596+02:00</updated><title type='text'>e-flux journal issue #1 is out</title><summary type='text'>Staš Kleindienst, Between Resistance and Commodity (Reartikulacija, Part 2 of 3)Dieter Lesage, The Next Documenta Shouldn't Be in KasselCarol Yinghua Lu, Accidental ConceptualismMetahaven, Brand States: Postmodern Power, Democratic Pluralism, and DesignNataša Petrešin-Bachelez, Blame It on Gorbachev: The Sources of Inspiration and Crucial Turning Points of Inke ArnsSimon Sheikh, Positively East </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/1075799866763034194/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=1075799866763034194' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/1075799866763034194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/1075799866763034194'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/e-flux-journal-issue-1-is-out.html' title='e-flux journal issue #1 is out'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/ST5Vez_b2OI/AAAAAAAAAnE/46y4nTDGUOk/s72-c/1228762441image_web.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-3933489569229196459</id><published>2008-12-09T12:01:00.000+02:00</published><updated>2008-12-15T10:07:19.199+02:00</updated><title type='text'>THE STATE MURDERS!</title><summary type='text'>       On Saturday December 6, 2008, Alexandros Grigoropoulos, a 15-year old comrade, was murdered in cold blood, with a bullet in the chest by a cop in the area of Exarchia...&gt;Eksarhia için...&gt;</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/3933489569229196459/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=3933489569229196459' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3933489569229196459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/3933489569229196459'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/state-murders.html' title='THE STATE MURDERS!'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4103010953656479229</id><published>2008-12-06T16:25:00.000+02:00</published><updated>2008-12-06T17:28:52.488+02:00</updated><title type='text'>Global kent, Gentrification ve  Adalet üzerine</title><summary type='text'>Democracia, Welfare State (2007).Brian Holmes'danMegagentrification; Limits of an Urban ParadigmThe right to the city is far more than the individual liberty to access urban resources: it is a right to change ourselves by changing the city.                                                                                                                    David HarveyWhat is the city for? The </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4103010953656479229/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4103010953656479229' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4103010953656479229'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4103010953656479229'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/global-kent-gentrification-ve-adalet.html' title='Global kent, Gentrification ve  Adalet üzerine'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/STqZqMlbMlI/AAAAAAAAAms/9g38bs66HoY/s72-c/publico.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-6514500119868259297</id><published>2008-12-04T00:40:00.004+02:00</published><updated>2008-12-17T10:01:05.076+02:00</updated><title type='text'>Cities and New Wars: After Mumbai</title><summary type='text'>The attacks on India's commercial capital belong to a global frontline of asymmetric urban warfare, says Saskia Sassen.The Mumbai attacks of 26-29 November 2008 are part of an emerging type of urban violence. These were organised, simultaneous frontal assaults with grenades and machine-guns on ten high-profile sites in or near the central business and tourism district...&gt;</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/6514500119868259297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=6514500119868259297' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6514500119868259297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/6514500119868259297'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/cities-and-new-wars-after-mumbai.html' title='Cities and New Wars: After Mumbai'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Br1ejYnKxyk/STcSL0kviLI/AAAAAAAAAl0/O4BSwg_rfXI/s72-c/6874852.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8703822879406156078</id><published>2008-12-03T14:57:00.000+02:00</published><updated>2008-12-04T00:38:41.341+02:00</updated><title type='text'>Judith Butler - Uncritical Exuberance?</title><summary type='text'>Judith Butler'dan Obama ve Sol ÜzerineUncritical Exuberance? Very few of us are immune to the exhilaration of this time.  My friends on the left write to me that they feel something akin to "redemption" or that "the country has been returned to us" or that "we finally have one of us in the White House."  Of course, like them, I discover myself feeling overwhelmed with disbelief and excitement </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8703822879406156078/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8703822879406156078' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8703822879406156078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8703822879406156078'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/judith-butler-uncritical-exuberance.html' title='Judith Butler - Uncritical Exuberance?'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Br1ejYnKxyk/STaLWQ-1YnI/AAAAAAAAAlA/NPb2GiCvjBM/s72-c/2731651525_ef6dd8e666_o.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-8300176074992172199</id><published>2008-12-03T14:23:00.000+02:00</published><updated>2008-12-03T14:46:55.880+02:00</updated><title type='text'>Manifesta 7</title><summary type='text'>"Manifesta 7, the European Biennial of Contemporary Art" 2 Aralık'da sona erdi. Bu yıl küratörlüğünü Adam Budak, Anselm Franke / Hila Peleg ve Raqs Media Collective'in üstlendiği Manifesta, İtalya'daydı ve Emre Hüner de Panoptikon isimli animasyon videosuyla yer almıştı.Görseller için...&gt;</summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/8300176074992172199/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=8300176074992172199' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8300176074992172199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/8300176074992172199'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/manifesta-7.html' title='Manifesta 7'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/STZ8NLLBq_I/AAAAAAAAAk4/3Ay9v1OZWSU/s72-c/2716260755_25881480af_b.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4226654137858531736</id><published>2008-12-03T13:44:00.000+02:00</published><updated>2008-12-03T22:07:39.623+02:00</updated><title type='text'>The Affectivist Manifesto</title><summary type='text'>Masa kitabında da  Extradisciplinary Investigations. Towards A New Critique Of Institutions adlı makalesi ile yer alacak Brian Holmes'danThe Affectivist Manifesto: Artistic Critique for the 21st Century   "In the 20th century art was judged with respect to the existing state of the medium. What mattered was the kind of rupture it made, the unexpected formal elements it brought into play, the way </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4226654137858531736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4226654137858531736' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4226654137858531736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4226654137858531736'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/masa-kitabnda-da-extradisciplinary.html' title='The Affectivist Manifesto'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Br1ejYnKxyk/STZzOrcjmQI/AAAAAAAAAkw/Riqn8IX4xOA/s72-c/nyt_special_edition1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4223999372981756402.post-4658436023091677660</id><published>2008-12-03T12:31:00.000+02:00</published><updated>2008-12-03T13:40:28.859+02:00</updated><title type='text'>MASA Kitabı</title><summary type='text'>Masa Projesi 2 yıllık süreçte yaptığı sergileri, sergiler üzerine yapılmış konuşmaları, söyleşileri ve makaleleri kapsayan bir kitap hazırlıyor. Bu kitapla birlikte Institutional Critique başlığı altında yazılmış metinlerden oluşan bir seçkiyi de kitabın bir bölümü olarak sunacak.Institutional Critique bölümünün içeriği;John R. Seorle, What Is Institution?Paolo Virno, Anthropology And Theory Of </summary><link rel='replies' type='application/atom+xml' href='http://masablogg.blogspot.com/feeds/4658436023091677660/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4223999372981756402&amp;postID=4658436023091677660' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4658436023091677660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4223999372981756402/posts/default/4658436023091677660'/><link rel='alternate' type='text/html' href='http://masablogg.blogspot.com/2008/12/masa-kitab.html' title='MASA Kitabı'/><author><name>onder</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
